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Log in Become a member. Subscribe to our free newsletter Subscribe. Write a user review. Our members also liked: Sort by most recent most useful. This is an electret condenser microphone, supplied with 48V Phantom.

Fairly small membrane suspended and well protected by a fairly effective windscreen against wind noise and plosives but not perfect. C53e5b two position attenuator.

It is perfect to get a clear and defined sound.

AKG C535EB Condenser Vocal Instrument Mic

And when to put one microphone between two toms, I can not imagine anything more to the latter. I stopped recording guitar amps with it. It is infinitely better than a SM57 but is not used in the same way: I have the right place in the axis of the speaker but between 40cm and 80cm apart. Thus the micro takes out the whole sound of the speaker, not just the few akb inches of membrane that are just glued to the 57 to the gate of the amp. And it works great! Whereas with my other mics, it not and I preferred the old Tested on drums, it was beautiful!


On vocals, it can do but live in the studio I will avoid at least look for a typed his FM zkg on the speaking voice for example. Did you find this review helpful? Vocal mic mainly although I suppose that ca pass on instruments or other types flute wind instruments with a windscreen. Rapprt excelent value for female voices. Much clearer and detailed an old SM58, much cleaner! It is a condenser mic, I think it excels on various percussion, OH it also works very c535eg for the c55eb I mean!

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And some guitars, remote if you want to capture the reverb of a room. The voice if it may be appropriate for the preproduction brass c535sb make good And it is very sturdy!

Aig makes an excellent point for ztatique. I had and have other static in their hands, and this one serves me absolutely still on percussion and often on other things. It may lack bass, which due to its small membrane, but this detail is not a problem for me.

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I would do this choice, double! However, cash out the hits snare for example I also like the fact that for a static, it is not sensitive to larsens agk handling noise, which is quite handy on stage. It has a built-in filter, something that is also very practical!

For now I have not found, except that it requires 48V, but it is the principle of static. It has its price, but it’s a great mic, used on many things, which is not to be overlooked! With experience, I most certainly do it again this choice.


Electret cardioid microphone on scene. What kind of a microphone? Versatile What type of technology? Studio use with suspension preference microphone on table. Have you tried many other models before acquiring this one? More and more interesting. What kind of microphone?

Singing the snare, to the resumption of amp Not always the same: Resistors with good feedback. A C that 10 years is not worth much. Big Difference gain and spectrum between two microphones after the age. Have you tried many other models before acqurir? The C is one of my microphones prfrs. How do you report qualitprix?

On certain aspects Larsen, xkg is even better. Exprience with, you will do again this choice? I will not repeat what has excellently said Good sound, cheap, easy to use: I found this microphone at a folk festival, there was a lot on stage to the beats accordions, guitars, wkg, violins The sound, the insensitivity to feedback, despite an excellent ability to chopper instrument sawed me.

The pick-jack creek and the creaking chanterelle.

On a somewhat male folk, it can be difficult to correct. It is not overpriced, his job done perfectly, whatever ag ask for? Thank you thank you Arnaud, “Plastok2” on this site, my guru, for advice. Cookies help us improve performance, enhance user experience and deliver our services.

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