CHUCK KLOSTERMAN KILLING YOURSELF TO LIVE PDF

Killing Yourself to Live has ratings and reviews. Mike said: As a longtime admirer of Chuck Klosterman’s writing on pop music and culture, i. Jan 28, Carrie O’Grady follows Chuck Klosterman on a rock’n’roll road trip in Killing Yourself to Live. Jul 12, Chuck Klosterman is the kind of guy who calls Rod Stewart “the For his new book, Killing Yourself To Live, Klosterman traveled across.

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This is the person who unknowingly sets the template for what you will always love about other people, even if some of these loveable qualities are self-destructive and unreasonable. His self-absorption on this count goes so far as to include a chapter-long conversation between the three women and himself that takes place entirely in his head.

This literary cleverness recalls classic gonzo journalism, but also contains a self-conscious edge, inviting comparison yourxelf Dave Eggers. I disagree with 97 percent of what he has to say about music. What little he does bring away from these analyses may seem deep but are rehearsed and forced. It is Klosterman’s third book and focuses on the premise of ykurself about the relationship between love and death, particularly deaths involving music celebrities.

But that doesn’t make him any less fun to be with. He’s ferociously clever and ferociously self-deprecating, which makes him a superb companion. What does it mean to be epic?

Killing Yourself to Live | Book by Chuck Klosterman | Official Publisher Page | Simon & Schuster

And the following scene a recounting of his only bad drug experience reads like the medical report from a Rock and Roll overdose: So this book would have been a LOT better in my mind if it had either a Actually talked more about dead rock stars or b Been a little clearer that I am going to start this review by saying that Chuck’s friend was right.

It usually happens retrospectively, but it happens eventually. In a rented Ford Tauruswhich he nicknamed ” Tauntaun “, Klosterman encounters a variety of interesting circumstances and people along the way, such as a teenager in Missoula, Montanawho asks him to sell her some cannabisor a Cracker Barrel waitress who reads Kafka.

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At one point I even forgot he was on a trip, which bummed me out. McElwee is more insightful, but Klosterman is funnier and ultimately more human in the end.

Then the incessant pop-culture references, clever to be clever quips and the navel gazing. He wanted to know why the greatest career move any musician can make is to stop breathing From Wikipedia, the free encyclopedia. Building on the national bestselling success of Sex, Drugs, and Cocoa Puffspreeminent pop culture writer Chuck Klosterman unleashes his best book yet—the story of his cross-country tour of sites where rock stars have died and his search for love, excitement, and the meaning of death.

Maybe in another ten years.

KILLING YOURSELF TO LIVE: 85% of a True Story

Price may vary by retailer. The premise of is that Chuck is going to travel to famous sites across America where rock ‘n roll related deaths occurred: I instantly wanted to tell everyone I knew to read this book so that we could have intellectual conversations about life, death, love.

Klosterman also worries his neuroses will brand him as “the male Elizabeth Wurtzel,” but he needn’t fret. His insight is honest and dead-on, but his subject matter generally seems undeserving of the pedestal he erects. By using this site, you agree to the Terms of Use and Privacy Policy. That seemed like that’s what this book was going to be.

He wanted to know why the greatest career iklling any musician can make is to stop breathing Klosterman is used to skating by on the wit and originality of his own personal world-view; in his last collection, Sex, Drugs, and Cocoa Puffs, his observations on MTV, pornography, video games, and jourself on, emerged from a perspective that led him to some surprising conclusions.

Dead famous

I wanted this book to be a Sarah Vowell’s “Assassination Vacation”-style account of the US history of rock n roll chukc as narrated by the typically witty Chuck Klosterman. Somewhere, at some point, somehow, somebody decided that death equals credibility.

If you want to learn how to smoke marijuana resin using parts of your car, you should read this. Discover what to read next. Here is this nerdy guy who throws around pop culture references like sprinkles on the cupcake of his own self-deprecating killiny sadness.

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Right then and there I wanted to start a small, yet epic fire in my wastebasket. And I know my final complaint makes me look totally square — as I am, after all — but I could have done kioling all the drug use in this book. I can’t understand someone who is fascinated and in awe of an author who wrote about what music she’d listen to if she ever was brave enough to slit her wrists and bleed to death to, and yet finds no majesty, beauty or history in seeing the Washington Monument or any monument in DC or the Grand Canyon.

But that is excusable, in that anyone with a soul and any creative talent wants to do yoursdlf own Sherman’s March after seeing it. They win, and you lose. Tommy would call Billy who would call Timmy would call Suzy who would call It’s not exactly a gold mine: Must redeem within 90 days.

The writing was energetic and genuinely funny. So, what actually happens in the book is that Klosterman drives to the various sites of crashes, ODs, and suicides, overtly searches for something metaphorical to tie these sites to higher truths, and arranges the road trip so that he can visit his family back in Minnesota and spend time with the three great loves of his life, scattered as they are across the country. I spend the whole or so pages listening to a man complain because he’s getting too much tail.

And while that stuff is in there, it is almost a footnote.

A crowd-crushing life at a Smashing Pumpins concert a few years ago was treated with shocking cruelty by some of my fellows in the music industry for the same reason.