Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.
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Multiples, if any, are not shown in this system. Other Required and Solo parts follow the strings:. David Vining, assistant professor of trombone at the University of Cincinnati College-Conservatory of Music, offers recitals and clinics to brass players and musicians of all ages. In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE.
The bracketed numbers tell you how many of each instrument are in the ensemble. Choral, Cadence et Fugato. This system lists Horn before Trumpet.
chotal These numbers tell you how many of each instrument are in the ensemble. Example 2 – Jones: The second example is common for a concert band or wind ensemble piece. As the trombone makes its initial statement, a counter melody is introduced in the cqdence.
In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets. The first number stands for Trumpetthe second for Hornthe third for Trombonethe fourth separated from the first three by a dot for Euphonium and the fifth for Tuba.
Choral, Cadence et Fugato, for… | Details | AllMusic
String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: It is a gem from the rich tradition of virtuosic French trombone solos which should be included in the repertoire of every serious trombonist.
The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn. Instruments shown in parenthesis are optional and may be omitted.
One of the more important recital works in the repertoire. The composite rhythm of these two ideas together should make a stream of straight sixteenth notes. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble. After some development of these ideas the fugue theme is stated in augmentation in the piano, over which the trombone plays a virtuosic fanfare figure.
The set of numbers after the dash represent the Brass. Students who are new to this work are in for a challenge and will find much to like about this piece, especially upon discovering the interpretive possibilities throughout the work.
The accompaniment foreshadows the fugue theme between each phrase and the trombonist is provided ample opportunity to put a personal spin on each phrase. This is standard chorall nomenclature.
Whenever this occurs, we will separate the first four digits with commas for clarity. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual In the third example, we have a rather extreme use of the system.
Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. Note the inclusion of the saxes after bassoon for this band work.
Choral, Cadence et Fugato, for trombone & piano
The cadenza features a dramatic piano tremolo over which the trombone plays phrases of increasing intensity. Brass Instrumentation Codes Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: Note also that the separate euphonium part is attached to trombone with a plus sign.
Thus a double fugaot quartet of 2 oboes, english horn and bassoon will look like this: Those trombonists interested in participating in the Eastern Trombone Workshop solo competition will soon become intimately acquainted with this piece as it is the required work for one of the age groups.
Example 3 – MacKenzie: Titles with no bracketed numbers are assumed to use “Standard Instrumentation. The first set of numbers before the dash represent the Woodwinds.
The fugue theme, first stated in the low register of the piano, is angular and rhythmic. There is no low brass. Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions over the years but has not found its way into the mainstream of cchoral recital programming.
Choral, Cadence et Fugato. Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ].
Henri Dutilleux – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical
The system used above is standard in the orchestra music field. It consists of the forces Example 1 – Beethoven: Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: