Instructor: Gerardo Siere Difficulty: (of 10) Focus: Fugue from the BWV (Bach Works Catalogue) suite for lute. After finally achieving a longstanding goal of an acceptable (to me) level of proficiency at the prelude, I am wondering about tackling the. Published on Dec 14, Prelude and Fuge BWV J. S. Bach – Performed and arranged by Jerry Willard – Guitar. This was recorded in.
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I love playing Bach. Arranger Max Larsson Kuhla. Classical Guitar Skip to content. I’m within a month of having it at a high level of performance, and it has taken a LOT of work to get it this far. Give Album or Song as Gift.
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It is a very intellectual piece, and this is where we can get lost with Bach. Certainly Bach ‘s knowledge of Baroque plucked instruments was not nearly as thorough as his knowledge of the bowed string instruments for which his other unaccompanied suites and sonatas were composed, so the idea that when writing the lute works he found it helpful to make recourse to a more familiar medium — the keyboard — is not unthinkable.
Give me a pm if you’d like, I have a highlighted version of the score with the sections and fugue subject entries highlighted, along with all the great sequences. Amazon Inspire Digital Educational Resources. Copyist Johann Friedrich Agricola except title page. I agree about the Chaconne, even though it is so long it wasn’t hard to memorise or play, I just regret that I didn’t have any recording gear when I did have it in my fingers.
Performer Pages Martha Goldstein lautenwerck. My question for those who know both is if the prelude represents the current limits of my ability or close to it, is the fugue so much more difficult that I should perhaps not tackle it for a while yet?
Suites ; For lute, lautenwerck ; Scores featuring the lute ; Scores featuring the lautenwerck ; For 2 players ; For 2 trumpets, trombone arr ; Scores featuring the trumpet ; Scores featuring the trombone ; For 3 players ; For guitar arr ; Scores featuring the guitar ; For 1 player ; For flute arr ; Scores featuring the flute.
bwv fugue difficulty level – Classical Guitar
The 97 is laid out in four movements, only the last two of which — the Sarabande and the Gigue — are of the dance variety usually found in a Baroque instrumental suite. Only those three movements were entabulated for the Lute, which one can assume means that the Fugue and Double were too demanding for lute playing of the time.
It is infused with deep but restrained affect, and displays the extraordinary architectural detail that is so much a part of Bach ‘s last 10 years. Not as many crazy stretches though it is of course super long.
Prelude & Fuge BWV J S Bach by Jerry Willard | Free Listening on SoundCloud
Complete Lute Suites, Vol. Works and Transcriptions for Guitar. It is with good reason that the piece is widely fugr Bach ‘s finest lute work.
I’ve recorded the Prelude and Sarabande such a good way to spot where you need to improve and am close to doing the same with the Gigue and Double. Suites for Solo Stringed Instruments. This fact has been the primary weapon of those who advocate performances of Bach ‘s lute works on the guitar. Rincewind- the key to memorising the Fugue is understanding the voicing, the fugue subjects and the overall architecture of the piece. Bach-Gesellschaft AusgabeBand Michael Winkler plays Bach. Instead of following the opening Preludio of the Partita with an allemande and a courante, Bach provides a fugue of extraordinary density and very unusual form.
It is fge in two voices throughout, the higher one florid and of great flexibility, the lower moving mostly in steady quarter notes. There are no difficult pieces, only difficult players. Plus disciplining myself to play slowly, with concentration and bwg a metronome, remaining ever mindful of all the other great advice I have obtained here at DC for which I am grateful, particularly to remember to take joy in playing no matter where one is on the path to getting better.
Get to Know Us. The Complete Columbia Album Collection. It was just that my misspent guitar youth left my RH technique so poor it was impossible to bring off. Of all manuscripts of this work, only Agricola’s this one is apparently a direct copy. Glassynails- I really don’t understand your last comment, I’m sure it was a joke- but really?! The subject of the fugue is absolutely bv, featuring a dramatic leap of a major seventh and some tense, rising chromaticism.