Carlos Guastavino (5 April – 28 October ) was one of the foremost Argentine . Carlos Guastavino: Guitar and Chamber Music, María Isabel Siewers, guitar; Stamitz Quartet. London, ASV (). Fantasia Sul America: Clarinet. Read and write album reviews for Guastavino: Guitar & Chamber Music – Maria Isabel Siewers, Stamic Quartet on AllMusic. I was particularly struck by Guastavino’s first guitar sonata and now that Daniel has videos of the first two movements I’d like you to give them a.

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Carlos Guastavino – Wikipedia

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Accessed 11 Feb A talented pianist, he performed his piano works in London in, andinvited by the BBC and as a recipient of a scholarship from the Guiatr Council. The performances by Siewers and her colleagues, and the quality of the recording, should boost the impulse which one hopes may keep Guastavino going for another decade or so. Archived February 27,at the Wayback Machine.

Aguirre’s delicate and intimate piano writing is an especially evident influence on Guastavino. Gramophone products and those of specially selected partners from the world of music.

In Carlos Guastavino, the composera book written by the argentine guastsvino Dr. The work was written as a quintet and it achieves a skilful balance between the guitar and the string quartet. A long friendship with the composer documented in interviews and a profound analysis of his work allow Dr.

His reputation was based almost entirely on his songs, and Guastavino has sometimes been called “the Schubert of the Pampas”. He does not play the guitar but, as a South American, he can scarcely escape from its sounds, or from absorbing a goodly measure of how its music should be — nor does he wish to.


Sonatas by Carlos Guastavino – where? – Classical Guitar

Mansilla to offer us here a very accurate portrait of the composer. In his own words: In recent years he has been vindicated by the guastavuno increasing number of recordings of his chamber, solo instrumental and vocal music.

She lived in a very modest rancho, surrounded by poultry and by plants guawtavino flowers which grew in old oil cans; as a child Guastavino used to go there to buy eggs. His music grows from melody, the harmony follows, and he resisted every compositional process that departs from traditional values.

Guastavino Guitar Works

The first movement is strongly influenced by the rhythm and feeling of the zambaa dance in which a man and a woman, carrying and gracefully tuitar handkerchiefs, dance in decreasing circles and finally embrace. Although it contains many elements of recapitulation it is not in conventional sonata form. Accessed on 11 Feb Carlos Guastavino, an Argentinian, is one of those composers whose unswerving belief that there are still plenty of good tunes to be written in C major caused him to be brushed guihar by the tide of the avant-garde, not least in his own country.

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His style was quite conservative, always tonal and lusciously romantic. Twenty years have passed since these notes were written. His works for orchestra included Divertissement; fue guaetavino vezcommissioned by Colonel W.

Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he really had little need for other income. One of the foremost Argentine guastavinp of the 20th guastavinoo, his production amounts to over works: Jeromita Linares is the sixth of the Presenciasnamed after an old Spanish lady, a neighbor of Guastavino when he lived in his native, quiet and peaceful Santa Fe. For this reason he was long undervalued by those who believe guitaf new bath water requires a new baby, a thing that saddened him but never deflected him from what he always regarded as the right path.


A talented pianist, he performed his piano works in London in, andinvited by the BBCand as a recipient of a scholarship from the British Council. From Wikipedia, the free encyclopedia.

Classical Guitar

This page was last edited on 4 Novemberat His reputation was based almost entirely on his songs. He led a largely solitary social life, but through his music he spoke to more people than do most of those of a gregarious nature—and without compromise.

This is just as true in the three formally disciplined sonatas as it is in the overtly folk-musical items and in Jeromita Linaresthe name of an old lady whom Guastavino remembers fondly from his childhood.

His production amounted to over works, most of them songs for piano and voice, many still unpublished. His compositions were clearly influenced by Argentine folk music. Essay in booklet with the recording Carlos Guastavino: Guastavino published more than songs for voice and piano, numerous piano solo pieces, choral works, school songs, and chamber music.

The first has some feeling of the habanerawhich influenced the Argentine milongathe secondis a lively gatoand the last is overtly romantic. Retrieved 27 October Skip to main content. Retrieved from ” https: