João Teixeira Guimarães, mais conhecido como João Pernambuco (Jatobá ( atual Petrolândia), Pixinguinha certificou em sua entrevista no Museu da Imagem e do Som que ele ouviu João Pernambuco tocá-la antes de Catulo colocar a letra. sertão (com Catulo da Paixão Cearense); Rosa carioca; Sons de carrilhões. João Pernambuco () .. Sons de carrilhões, one of the most popular solos in the guitar’s history, is a superb example of the choro-maxixe form. João. Check out Joao Pernambuco: Sons de carrilhoes by David Russell on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on

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Anyway, I am Brazilian myself, and believe it or not – I don’t know much about choro. There are quite a few on Delcamp as MP3s and Videos you can sort them by “subject” joak, as well as tons of YouTube videos. Delcamp’s version does and some use different rhythms in the accompanying chords. Classical Guitar Skip to content.

Concerning the level of this piece to me it is a little harder than Maria Luisa by Sagrega. There are a lot of misspellings of the title though.

Sons de Carrilhões (Teixeira Guimarães, João)

I’d really appreciate it, your knowledge seems vast. Hehe, not many joak I know here in Denmark take interest, and take such interest so deeply. Board index All times are UTC. But it is also possible that Dilermando played his own way, because he was a popoular guitarist, he was not that classical performer who really care playing each note exactly like composer said.


Possibly some choro groups from the 60’s, or 70’s. I have seen more frequently carrilhpes first bars of the second part played in pizzicato. Dilermando Reis learnt it directly from Pernambuco, so some scholars dd say Dilermando’s recording is probably the most faithful version, and he plays with a different rhythm figure than palyed by most classical players Russell or Delcamp’s arrangement.

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The correct is as is in the subject of this post: Look for the joxo of scores for classical guitar – levels D05 to D07″ link from the board index. Forum rules Respect Copyrights: Please consider supporting us by disabling your ad blocker on our website. The version of the song in this book is by Mr Papas, not Mr Lima, but it has the harmonics.


Board index All times are UTC. Anyway, I’m just wondering if you can recommend me any bands in the same style as Os Carioquinhas? Therefore nice to have friends here!! Now I’m getting more into than never, also through Yamandu Costa, who blows my mind. Our website is made possible by displaying online advertisements to our visitors. A musical notation of the piece was published for the first time in a collection titled ‘A Guitarra de Prata’ during the s, a revised version by Turibio Santos and a second, revised version by Carilhoes Reis was published through Ricordi Brasileira Please consider supporting us by disabling your ad blocker on our website.

First of all, great website! I could not find it in the Delcamp collection. Pernambuco couldn’t write a score.


– Google Drive

Perambuco use harmonics in one spot in the B section I think M. Is there a different Lima version published, and if so, where? Good job btw, if you’re not a brasileiro! I’ve always loved Raphael Rabello, and his early band Os Carioquinhas, but never went further than that. Our website is made possible by displaying online advertisements to our visitors. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp.

Username may replace Composer’s surname and forename for your own compositions.

Tablatures taken from the internet which we have not produced ourselves will be removed without warning. Visit the latest Choro Music blog Contact me choromusic. For more details see instructions here. Albeniz, Isaac – op. I do not think there are harmonics in the “original” score, may be in some other arrangement.

For Giuliani the opus number should be 3 digits op. Composer’s surname, forename – op.

Still not sure what the little octet flowers symbolize in the Delcamp version. It seems recently an old recording by Pernambuco of this piece was found, but nobody I ask have already listened to it. Since tablature is too imprecise in the expression of polyphony, it is compulsory to include a version in standard notation along with our tablature.